| Faumsunpasp | Дата: Суббота, 05.10.2013, 23:29 | Сообщение # 1 |
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"Battle of the Year" discuss just how the remainder of the globe has accepted b-boy society, yet how they're no much longer regarded as cutting edge or cool in the United States.
That stresses the Sean Combs-like impresario, Dante (Laz Alonso): "How long before hip-hop isn't cool?".
He needs to protect his style, music and dance empire by placing American b-boys back ahead. He hires an old dancing pal, W.B. (for "Wonder Bread"), now a grieving, sprituous ex-basketball coach (Josh Holloway of "Lost"). W.B. needs to get himself up to quicken on the current state of dancing, then sponsor and coach a "all-star team" of the best of America's ideal to take on the remainder of the globe, which has passed America by and long dominated the yearly b-boy Olympics referred to as "BOTY," the Battle of the Year.
That group consists of diverse egotistic, chip-on-their-shoulder showoffs, because that's just what it takes to do well. Real superstar professional dancers such as Do Knock and Flipz are mixed with others, featuring vocalist Chris Brown.
And assisting coach is Jewish hip-hop authority "Franklyn with a y," played by Josh Peck.
Benson Lee, supervisor of the definitive documentary on the worldwide phenomenon, "Planet B-Boy," co-wrote and routed this, and immodestly has personalities view that movie and perform its praises. Holloway can not also prompt at a genuine dancing past, so the flick forges that by having his coach run his guys via drills (in split-screen series).
Peck, once of TELEVISION's "Drake & Josh," onetime celebrity of "The Wackness," has a little, assisting task yet is given top invoicing. In this case, that suggests his every scenario consists of overly fabricated and coiffed close-ups. It's laughable.
But tabloid darling Brown greater than holds his very own with this team, evidently not even needing a dancing double. The dancing scenarios-- particularly those involving teams from Germany, France and Korea-- take the b-boy steps to the upcoming degree.
And there are sufficient simple, undemanding laughs, the most effective lines coming from Peck's assistant coach.
"You resemble a gazelle around," he praises his employer. "A gazelle with arthritis." Which, while it does not describe the motion picture, does strike this genre right in the bull's eye. Yet then, the charm of "Step Up" and all its worn out imitators is that the audience they're capturing for has no idea that there have been 20 or 30 motion pictures specifically similar to this one that came prior to it.
He has to secure his fashion, dance and popular music empire by putting American b-boys back on top. He works with an aged dance friend, W.B. (for "Wonder Bread"), now a grieving, sprituous ex-basketball coach (Josh Holloway of "Lost"). W.B. has to get himself up to speed on the existing state of dance, after that sponsor and coach a "dream group" of the ideal of America's ideal to take on the remainder of the world, which has actually passed America by and long controlled the annual b-boy Olympics understood as "BOTY," the Battle of the Year.
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